Michael A. Salter
su sitio y su robot gigante
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Cover of the album Total by The State Of Floral Beings
Add a Comment | Posted by syedsyahrul
Early this year, I was quite taken by this innate obsession to draw people on public transport. I compiled a sketch book full of people falling asleep on trains, gripping at metal coils on a shaky bus, gazing out of windows in boredom.
Of all the sketches, this is the first (and currently only one) that has been digitally retouched.
Pigma micron, digital.
Probably not worthy of any sort of mention, but on the bus home tonight I fell asleep and drooled all over my chest.
This is my girlfriend, Alison.
I went to a Jonathan Zawada exhibition at the Monster Children Gallery earlier this year and was absolutely blown away by the detail of his pencil illustrations. I remember saying something akin to, “I’m going to start drawing with pencils now,” to my girlfriend. She just nodded in disinterest (probably because I lie all the time).
Pencils, colour pencil.
Add a Comment | Posted by MEDIAONEunltd
I’ve only recently become friends with Jess, despite studying design alongside her for over three and a half years.
I don’t know much about her; but I somehow admire her. It’s probably that subtle mix of amazing work and modesty that she delicately radiates. Actually, this is probably something I make up in my head about every pretty girl.
I don’t know.
Pencils, pigma microns, tombo markers, triplus fineliners, acrylics, digital.
One morning late last year, I got a photo sent to me from my friend Jeremy. The title of the photo was “bestnightever.gif” or something incredible like that, and it displayed a portrait of his battered face. Shocked, I asked him what had happened.
Apparently he was at a party the night before and someone punched him in the face. That’s about it, really.
Pencil, pigma microns, tombo markers, acrylics, some weird white ink pen that I found, and digital refining.
Add a Comment | Posted by Mytane