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July 13th, 2008
Zaha Hadid proposal denied
Here's a perfect example of what i refer to as an 'architecture brand'. Regardless of being a great architect, Zaha might as well put a 'ZH' logo on this construct as it has absolutely no apparent formal relation to context, and it seems the interior configuration also lacks a regard for function: the library's archive and reading room are placed behind a south-facing glass wall (think about that for a minute). Ultimately, no matter how cool the intervention (and it is), architects need to be more responsible in responding to a site and its contents.
This proposal for an extension to the Middle East Centre at St. Antony's College in Oxford has been rejected by CABE and ZH sent back to the proverbial drawing board.
via Life Without Buildings
also via The Architect's Journal
Posted by: IKE
Comments (3)
Zaha Hadid work is quite diverse if you take the time to observe the many different solutions she has created for various sites. With functionality in mind her work is never bland, but always leads to inspire and generate a new essences in whatever the context or location.
"Apparent formal relation to context" is not mandatory in architecture. There are more subtle ways to fit in the site without losing contrast, which is an important variable in art.
@tremaineharris: I agree with you for the most part, I am a fan of Zaha's work and have followed her process quite a bit. While the majority of her contributions tend to work both formally and functionally, it bears mentioning when such is not the case. It's easy to lose sight of purpose with transcendental forms.
@renemarquez: Architecture is art, and as art the creation of contrast can be said to be just as important as creating confluence (that is, fitting into site). However, architecture must also be focused, and however loosely, follow the rules of program set forth by the client. This is what defines a project, the struggle between creative freedom and dealing with constraints (design, function, budget, codes, etc). Without these obstacles we're not much more than sculptors.